What actually receive compensation for the use of a little-known original works | Cultural Creative Industry
Event Reviews & kultūrkūkas How about to Riga White Night 2014 program of the Riga Festival 2014 - events and cultural programs in art movie Кухня в Париже (Kitchen Paris) - online movie Night of Museums in Riga and Latvian in 2014 - a retrospective measure
At a time when we are constantly forced to speak beautifully, dealing begun to lag behind speaking. When we requested to speak even more impressive, dealing itself pales in front of this statement. Cultural creative revs industry trust grant search: revs Find out more Satori
Following up on copyright issues for the development and licensing of public scandals about the author's background music playback (the so-called listening to the radio license), the question arose as to which approached AKKA LAA:
- If there is a desire to play the record from the radio or CD music cafe, exhibition hall or the like. in a public place have to pay for a license, but whether there is a mathematical algorithm that helps to figure how to make my payment comes specifically to the composition authors whose records I've chosen to play background music in public?
Perhaps you create music, which could be attributed to popular music, which many do not listen to on a daily basis. Perhaps, as you measure the same organizer interested in this specific type of music and have a desire to play in a specific event or a specific daily shop / café. If you paid for the license to a specific style of music from a CD or internet radio playback, but paid the money and is thrown into a common pot, which is able to identify what and how much exactly exclusive design are used, they shall be publicly playing from CD or specific Internet radio and other resources then in the free sharing revs mechanism, from which fed mostly popular music stars (intuitive public distribution subordinated% of the registered uses of copyright works to quantity), which is already enough, is fundamentally flawed.
Most AKKA LAA share of income from 2013 February authors account for the amounts paid in 2009 for the distribution of unclaimed rewards svešu- with the authors revs have received the reimbursement of non - use of authors' works. Does this mean that AKKA LAA actually divided between the income of foreign authors in this organization established authors and foreign representatives of copyright works? Or less well-known authors place consideration actually revs received by the heirs of Michael Jackson?
And, for example, if you record a CD playing in the background a public event not only caused by author's friends, revs but also one of the skaņdarabu, eg., Www.soundcloud.com etc.. Published pieces websites that offer free of charge to the public to use them, most likely, in many cases, copyright organizations yet recorded the works, then why should this sum by you, the copyright collective management organization buying a license actually pays for the author's use of abstract, arrive at the other - with this particular non-use of orphan works - authors? However, it is possible. Why is it up to date:
In the last few years, not only music, but also other (eg., Visual) author's creation and development of the acquired specific nature of the boundaries between professional and self-taught, or from the author's amateurish outgoing gradually degrade. Many authors still do not realize the potential of their work, because revs these works are created as if by the way and filling in the free time, but if you are also aware, then realizes the author's already popular in those nesacensties (and or need?). That is why it would be in sight of these promising but the little and as if from nowhere resulting neapbižot individuals but to create a favorable soil for growth. I think there is a trend: revs
Event organizers and entrepreneurs who want to create a special atmosphere, but can not afford to invite the artist chooses to play specific background music. And one of the ways is to look up a specific style of music or a CD with the right resources on the Internet (eg., Specific internet radio, etc. ..) and the music playing in the background, even nepieaicinot DJ. And why should the use of this work indirectly revs receive remuneration such as Madonna revs or Michael Jackson's heirs, maybe the music is popular, but many of these little-known authors' works use cases are not related. After the past year, data on average around 70% of the Latvian collected royalties are transferred abroad. Accordingly, the licensing fees and copyright levies charged on media duties, I think is shared in equal proportions. Responsible Inara Dombrovskis, AKKA / LAA musical works Head
This is the so-called "background music" - by asking. AKKA LAA issue a compulsory license, that is, the work of the users acquire the right to play any work with any device or process through - radio programs, TV programs, cable TV, CD, vinyl, internet, etc.. From the "background music" played
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Event Reviews & kultūrkūkas How about to Riga White Night 2014 program of the Riga Festival 2014 - events and cultural programs in art movie Кухня в Париже (Kitchen Paris) - online movie Night of Museums in Riga and Latvian in 2014 - a retrospective measure
At a time when we are constantly forced to speak beautifully, dealing begun to lag behind speaking. When we requested to speak even more impressive, dealing itself pales in front of this statement. Cultural creative revs industry trust grant search: revs Find out more Satori
Following up on copyright issues for the development and licensing of public scandals about the author's background music playback (the so-called listening to the radio license), the question arose as to which approached AKKA LAA:
- If there is a desire to play the record from the radio or CD music cafe, exhibition hall or the like. in a public place have to pay for a license, but whether there is a mathematical algorithm that helps to figure how to make my payment comes specifically to the composition authors whose records I've chosen to play background music in public?
Perhaps you create music, which could be attributed to popular music, which many do not listen to on a daily basis. Perhaps, as you measure the same organizer interested in this specific type of music and have a desire to play in a specific event or a specific daily shop / café. If you paid for the license to a specific style of music from a CD or internet radio playback, but paid the money and is thrown into a common pot, which is able to identify what and how much exactly exclusive design are used, they shall be publicly playing from CD or specific Internet radio and other resources then in the free sharing revs mechanism, from which fed mostly popular music stars (intuitive public distribution subordinated% of the registered uses of copyright works to quantity), which is already enough, is fundamentally flawed.
Most AKKA LAA share of income from 2013 February authors account for the amounts paid in 2009 for the distribution of unclaimed rewards svešu- with the authors revs have received the reimbursement of non - use of authors' works. Does this mean that AKKA LAA actually divided between the income of foreign authors in this organization established authors and foreign representatives of copyright works? Or less well-known authors place consideration actually revs received by the heirs of Michael Jackson?
And, for example, if you record a CD playing in the background a public event not only caused by author's friends, revs but also one of the skaņdarabu, eg., Www.soundcloud.com etc.. Published pieces websites that offer free of charge to the public to use them, most likely, in many cases, copyright organizations yet recorded the works, then why should this sum by you, the copyright collective management organization buying a license actually pays for the author's use of abstract, arrive at the other - with this particular non-use of orphan works - authors? However, it is possible. Why is it up to date:
In the last few years, not only music, but also other (eg., Visual) author's creation and development of the acquired specific nature of the boundaries between professional and self-taught, or from the author's amateurish outgoing gradually degrade. Many authors still do not realize the potential of their work, because revs these works are created as if by the way and filling in the free time, but if you are also aware, then realizes the author's already popular in those nesacensties (and or need?). That is why it would be in sight of these promising but the little and as if from nowhere resulting neapbižot individuals but to create a favorable soil for growth. I think there is a trend: revs
Event organizers and entrepreneurs who want to create a special atmosphere, but can not afford to invite the artist chooses to play specific background music. And one of the ways is to look up a specific style of music or a CD with the right resources on the Internet (eg., Specific internet radio, etc. ..) and the music playing in the background, even nepieaicinot DJ. And why should the use of this work indirectly revs receive remuneration such as Madonna revs or Michael Jackson's heirs, maybe the music is popular, but many of these little-known authors' works use cases are not related. After the past year, data on average around 70% of the Latvian collected royalties are transferred abroad. Accordingly, the licensing fees and copyright levies charged on media duties, I think is shared in equal proportions. Responsible Inara Dombrovskis, AKKA / LAA musical works Head
This is the so-called "background music" - by asking. AKKA LAA issue a compulsory license, that is, the work of the users acquire the right to play any work with any device or process through - radio programs, TV programs, cable TV, CD, vinyl, internet, etc.. From the "background music" played
MORE
